![]() However, by the mid-eighteenth century tastes in handwriting had changed. The standard model for Greek typefaces from the 1540s until the mid-eighteenth century was the Grecs du roi type cut by Claude Garamond and its many imitations from other punchcutters, also known as "Old Style". A version was released by Monotype for hot metal typesetting with some changes in 1912. By the end of the 19th century, it has become the predominant Greek type used in Britain, with Victor Scholderer's New Hellenic typeface (favored by Cambridge University Press) the only notable exception. Legacy Īfter its first appearance, it was soon copied by other founders. It was completed and used only after Porson's death in 1808, seemingly first in 1809 and more in 1810. ![]() It was cast by the Caslon foundry, but it never appeared in their specimens, seemingly as the type was proprietary to Cambridge. The punchcutter Richard Austin was commissioned by the Cambridge University Press to cut a type based on his handwriting, probably from 1806 onwards. in writing with neatness and beauty" and "wrote notes on the margins of books with such studied accuracy that they rivalled print". Porson was a classicist with very careful Greek handwriting.
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